Reno News & Review

Week of Dec. 18, 2025

From the editor’s desk

The Trump administration’s political-symbolism game remains strong, albeit nauseating, this season.

In November, when the Department of the Interior announced “America-first” pricing for national park admission, it also announced that Martin Luther King Jr. Day and Juneteenth would no longer be free-admission days. You’ll be able to skip the entry fee on Trump’s birthday, though. Among this bundle of related announcements, the one that made me double-check whether I was reading The Onion was the news that some 2026 annual passes would feature a rendering of Trump’s face.

Yesterday, the White House unveiled new plaques under portraits of U.S. presidents. Just one example: Instead of a picture of President Joe Biden, there’s a photo of an autopen. The description calls him “Sleepy Joe Biden” and “the worst President in American History.”

White House press secretary Karoline Leavitt called the text on these plaques “eloquently written descriptions of each president and the legacy they left behind.” The New York Times saw it differently, saying they “mock President Trump’s recent Democratic predecessors in the style of his hyperbolic social media posts.”

And today, the new board of the Kennedy Center—handpicked by Trump—voted to rename our national performing arts center in Washington, D.C., the “Trump-Kennedy Center.”

Amidst all of this Trumpian reallocating, rebranding and renaming of images and symbols that help define our nation’s character, I’ve also noticed some interesting pushback.

The Associated Press reported this week: 

The U.S. Capitol on Tuesday began displaying a statue of a teenaged Barbara Rose Johns as she protested poor conditions at her segregated Virginia high school, a pointed replacement for a statue of Confederate Gen. Robert E. Lee that was removed several years ago.

The idea of replacing the likeness of Lee in the National Statuary Hall (where each state may have up to two of its own heroes enshrined) with the likeness of a Black teenager originated with the Commonwealth of Virginia—obviously not with the Trump administration. In any case, there’s one more civil rights hero in the Capitol as of this week. Nice work, Virginia.

In West Coast clapback news, the office of California Gov. Gavin Newsom released an announcement last week headlined, “​​California state parks are for everyone, while Trump turns national parks into his vanity project.” The announcement says, “California is holding the line: keeping parks accessible, celebrating the state’s diversity, and honoring—not erasing—history.” Well done, California.

Back to that issue of Trump’s face appearing on national parks passes: Whether we will actually see Trump’s visage on the pass is not entirely clear. For one, there’s a lawsuit in the works to oppose it. Also, the park service is emphasizing digital passes. It is selling some physical passes, but there is no mention on the webstore of the Trump artwork, at least as of this writing.

However, if you do eventually find yourself in possession of a Trump national park pass, and you would like to re-re-brand it, Colorado watercolorist Jenny McCarty is selling stickers featuring a pika, a wolf or a bear, shaped with precision to cover the official artwork.

Take care,

—Kris Vagner, managing editor


Schedule note

The next two Thursdays are Christmas Day and New Year’s Day. As a result, this newsletter will arrive a day early, on Wednesday, in those next two weeks—shortly before or after our 11 Days a Week events newsletter, which will be sent as usual on those Wednesdays.

Also, if you’re a local-history buff, mark your calendars: On Monday, Jan. 12, we’ll debut a new weekly newsletter, called From the Archives. Every Monday, the newsletter will revisit a story, a print cover, or something else of interest from the RN&R’s 32-plus years of archives. If you get this newsletter, you’ll automatically be subscribed to From the Archives. If you don’t want to receive From the Archives, you can unsubscribe to it rather easily—but why in the heck wouldn’t you want a free, cool newsletter focusing on recent-ish local history?

We’ll be back in your inboxes on Christmas Eve—but watch RenoNR.com for new content every day between now and then!

From the RN&R

11 Days a Week: Dec. 18-28, 2025

By Kelley Lang

December 17, 2025

Coming up in the next 11 days: Menorah lightings in Carson City and Incline Village; The Nutcracker; goth Xmas Eve; and more!

Guest comment: Veterans give more than most people know; it’s time we gave back

By Pamela Baker

December 17, 2025

“We veterans are an extraordinarily rare 6% of the population who served for 100% of the population,” writes Air Force veteran Pamela Baker—and people and governments should support those who’ve served.

Mystery squared: ‘Wake Up Dead Man’ takes the ‘Knives Out’ franchise in a welcome darker direction

By Bob Grimm

December 15, 2025

Rian Johnson does a good job of keeping audiences off balance with a nice array of suspects, each of whom has a motive to kill. This time out, the suspects are played by Glenn Close, Jeremy Renner, Thomas Haden Church, Cailee Spaeny and Kerry Washington.

A true cinematic experience: See ‘Kill Bill: The Whole Bloody Affair’ on the big screen while you can

By Bob Grimm

December 15, 2025

Getting to see Uma Thurman’s Bride in action on the big screen is such a major joy that you won’t feel like you are watching a four-hour movie. The film breezes by.

The Lucky 13: Jesse Green, vocalist/
guitarist/songwriter of Dewolfe

By Matt King

December 13, 2025

Reno pop-punk band Dewolfe uses energetic musical vibes to sing about cryptids, haunts and the end of the world. Vocalist, guitarist and songwriter Jesse Green shared some of his influences and favorites.

One-woman ‘museum’: The new Great Basin Native Artists show at the Nevada State Museum has, in a sense, been in the works for decades 

By Kris Vagner

December 12, 2025

Melissa Melero-Moose, who curated the new exhibition, “This Is Us: Contemporary Art From the Great Basin Native Artists” at the Nevada State Museum, realized years ago that, if she was going to be able to put on exhibitions of Native artist work successfully without a large institution behind her, she needed to have the art on-hand.

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