
Week of Nov. 21, 2024
From the editor’s desk
This week, I’ve been perusing Project 2025, the 900-page playbook by the Heritage Foundation and more than 100 conservative groups that outlines plans for the second Trump administration. (If you’re curious but don’t have time for a 900-page read, Amazon reviewers generally speak highly of the 100-page summary.)
One topic I wanted to get an overview of was the playbook’s takes on vaccines; I may mention them in the December cover story. A keyword search found 57 mentions, including one that really caught my eye. It was a call to re-onboard any Coast Guard personnel dismissed for having refused the COVID-19 “vaccine.” Yes, “vaccine” was in quotation marks.
But this is not about the possibility of implied vaccine denialism in Project 2025. This is a about the endless series of decisions that journalists make every day when choosing which words and which details to use. The notion of publishing “just the facts” sounds, on its surface, like a complete and tidy approach to writing news. But even the maybe-objective-sounding process of publishing the facts raises a list of questions—among them, which facts to include, how many, and how (and whether) to contextualize them.
One example of many: Any journalist striving to be as fair-minded as possible, when reporting a story with more than one side, still has to decide who gets the last word. Would it even be possible to make that choice in a way that implies zero editorial slant?
The fact that Project 2025 authors put “vaccine” in quotes is a fact. But they also mentioned vaccines 56 other times, not in quotes. While the playbook sends a clear message opposing vaccine mandates, it does not send a clear message denying that vaccines are real, so using “vaccines” would be some first-class cherrypicking. It’s not going in my article.
Well readers, I’m off to make a few thousand more decisions about word choice, which facts to present, and how much context to include, as we finish getting the December print edition to press.
Take care,
—Kris Vagner, managing editor
From the RN&R
A tropical labor of love: Welcome to Reno’s new tiki bar, Pele Utu
By Michael Moberly
November 20, 2024
“We don’t have football; we don’t have basketball; we don’t have any sports on the TV; and we won’t, and we’re not going to. We don’t have cable. We have Gilligan’s Island.” —Dr. Shocker, co-owner of the new tiki bar Pele Utu on Stardust Street

11 Days a Week: Nov. 21-Dec. 1, 2024
By Kelley Lang
November 20, 2024
Coming up in the next 11 days: an evening of poetry in commotion; holiday fun of all sorts; and more!
An Oscar contender: Kieran Culkin gives a performance for the ages in ‘A Real Pain’
By Bob Grimm
November 18, 2024
Kieran Culkin and Jesse Eisenberg play Benji and David, two anxious cousins traveling to the birthplace of their grandmother. a Holocaust survivor, in Poland.
Addiction and hope: Saoirse Ronan amazes as an addict trying to get clean in ‘The Outrun’
By Bob Grimm
November 18, 2024
Director Nora Fingscheidt tells the story in non-linear fashion, as the film time-jumps to show different stages of Rona’s downfall and sobriety attempts.
Streetalk: Why would someone thank you?
By David Robert
November 16, 2024
Will you give thanks this Thanksgiving? What will people thank *you* for?
Time-travel fantasy: Ichthyosaurs are a visual and cerebral feast—but why is there a science show at the art museum?
By Brent Holmes
November 15, 2024
“The history buff, biology lover, paleontology kid and education advocate in me recognize the excellent work done in Deep Time. The hungry arts writer, on the other hand, has a complaint.”
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