Writer-director Jane Schoenbrun’s film is at once an ode to ’80s slasher films, a satire of the same thing and, somehow, an autobiographical depiction of sexual awakening and gender transformation via a slasher-killer narrative.
Writer-director Jane Schoenbrun’s film is at once an ode to ’80s slasher films, a satire of the same thing and, somehow, an autobiographical depiction of sexual awakening and gender transformation via a slasher-killer narrative.
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