Juliana Bledsoe and Carlos Arciniega do the dance of the star-crossed lovers while Keith Parry strums a tune.
Juliana Bledsoe and Carlos Arciniega do the dance of the star-crossed lovers while Keith Parry strums a tune.

Inside the Studio on 4th, the Youth ArtWorks students are rehearsing Dia de los Muertos: Una celebracion. There are no U.S. Citizenship and Immigration Services issues here, no debates and no differences. Only the camaraderie of a gaggle of performance artistsโ€”laughing, singing, dancing, improvisingโ€”as they joyfully engage in the collective, essential need for expression. The focus here is on storytelling, unity and celebrating life, with a culturally based, conscious recognition, embrace and reckoning of its ever-present opposite: death .

There wouldnโ€™t be one, obviously, without the other. The same is true for both Renoโ€™s Youth ArtWorks and the Truckee Meadows youth it exists to serve and nurture. There are nine teens rehearsing for Dia de los Muertos: Una celebracion, running Nov. 1-3 at the Studio on 4th, in observance of Day of the Dead, a Mexican holiday observed Nov. 1-2 by Hispanics around the world.

Featuring an original script and songs, this performance art is a perfect complement to the array of traditional and tangible symbols of Dia de los Muertos: brightly-painted masks, sugar skulls and favorite foods of the departed, presented on an altar of ofrenda [offering] that includes libations, lit candles and pan de muerto [Bread of the Dead]. Nourished by all theyโ€™ve created, these artistsโ€”some Hispanic, some notโ€”are digging their hands, and heels, into their art.

In movements ranging from barely imperceptible and Tai Chi-like to staccato and jubilant dance, they are dramatic and mindful of the opportunity to grow, enlighten and encourage cultural tolerance. Backed by syncopated percussion and a four-piece band, Dia de los Muertos is fluid, fun and narrated by YAW fellow Robert Grant. He tells the story of an early life of toil, sacrifice and familyโ€”juxtaposed by new hope; his beloved wife, Maria, and their baby sonโ€”in agrarian San Felipe, while the active listeners sit in a circle at his feet. In this very theatrical performance art, thereโ€™s romance, estrangement, even a vivid chase scene.

โ€œYouโ€™ll never take me alive!โ€ the storyteller-hero exclaims as Nevada Arts Council Artists-in-Residence Mary Bennett and Joyce Vetter gently offer direction, with an emphasis on discipline.

โ€œThis is a job, and you donโ€™t realize how precious and unique it is to take full advantage of it,โ€ Vetter remembers counseling the students early on. โ€œDonโ€™t waste it.โ€

Drummer Carlos Arciniega, 17, is a Reno High School student and California-born Mexican whoโ€™s seized the opportunity.

โ€œIโ€™ve only done music stuff, so this is a brand-new experience for me,โ€ Arciniega says. โ€œThis could make me that much better, as a performer. Since weโ€™ve been making this show from the tops-of-our-heads, part of my creativity is coming into this. It was all of us, putting our ideas together.โ€

Living life to the fullest is the undeniable theme, in YAWโ€™s exhibit and performance art, in the lives of multicultural students like Arciniega, in the spirit behind Dia de los Muertos: Una celebracion.

“[Death becomes] less personal or sad, each story less maudlin, [through] celebration and community,โ€ Bennett says.

In full character, the artists concentrate on dialogue, delivery and deathโ€™s presence.

โ€œBut enough about me,โ€ Grant obliges to the circle. โ€œThis day is for you!โ€

Accompanied by an uplifting melody, the living launch into their whirling-dervish dancing again, to honor the dearly departed, the art of living and Dia de los Muertos.

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