With its speeding NYC taxi cover suggesting life is racing by, Dylan both appropriates (old rollinโ€™ and tumblinโ€™ blues) and invents (surreal road movies meandering across a blighted landscape) to conjure a series of portraits of our sad times. There are no answers; the world is filled with dread and bad-times women. Thereโ€™s bugs on the vine, the weather is changing, the hard rain that started falling decades ago is still coming down, and the leveeโ€™s gonna break. Moody and elegiac throughout, the songs lead up to a beautifully harrowing nine-minute closer that finds the bard not talkinโ€™ but just walkinโ€™โ€”and muttering. The accrual of violin-propelled, guitar-punctuated coupletsโ€”in which the gardener has left the garden, and the nooks and crannies are filled with tearsโ€”suggest that only darkness lies around the bend.

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