This idiosyncratic biography succeeds on a number of levels, blending autobiographical writings, photographs, drawings and even a CD of some of R. Crumbโ€™s musical groups over the years. Lamenting the fact that he has become a multi-national empireโ€”from Mr. Natural incense to museum shows of his drawingsโ€”Crumb uses this straw dog to assay the continually declining state of affairs. The well-plowed field of his life is divided chronologically into four periods: fear, clarity, power and old age. Along the way, there are digressions on American complacency, the use of LSD as a substitute for suicide, the sexual attraction of big, strong women, and other detailed obsessions. This book gives you an appreciation of Crumbโ€™s deep sense of absurdity. If Samuel Beckett had decided to draw instead of write, this is what youโ€™d see.

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